now into its tenth year, canadian label and house mainstay mile end cooks up another sizzling house record, this time from chicago legend and label regular roy davis jr. featuring the vocals of terry dexter, the track comes with remixes by fellow legend dj pierre as well as ray coker and groovecreator

limite edition translucent purple marbled 7 inch vinyl.

sometimes you wait and things fall into place, this is an a&r man s dream. you can spend hours banging your head, waiting for lightening to strike, trying to find the perfect pairing, it s there floating around in your head but the answer is not clear. the record needs a remix, but who would be perfect?

von zeit zu zeit kommt ein dj, sänger oder produzent daher, der zwischen den unterschiedlichen szenen wandelt, der die brücke zwischen den einzelnen bewegungen schlägt und deren musikfans vereint. seven davis jr hat diese qualität. seine produktionen haben eine rohheit, einen losen, hoppelnden groove, der selbst die hartnäckigsten hüften in bewegung bringt

after numerous remixes, collabs and b2b sets, producers hey joe and josia loos are finally putting their collaborative efforts on wax. english for world of shards, scherbenwelt starts with resonating ambient tones leading into vast depths of an illusionary ambience, abruptly and unexpectedly obliterated by a rapid and thumping beat- it s a tough and unforgiving world the duo reveals through this track. pulling the curtains even further back, lohnarbeit, which translates to wage labour, reveals hard truths and makes no compromises. as the deep and unsettling voice declares, social existence comes at a price: labour. work, and you ll exist. tough words, appropriately reinterpreted through hard sounds. momentous techno, literally driven by the crack of a whip. ryan davis gracefully smoothes scherbenwelt s sharp edges, re-concealing these hard truths behind curtains of smooth melody, thus letting us float back into a daze of daydreams, and illusion.

berlin head mike davis drops four tracks of uncompromising techno taking inspiration from the raw side of house music and 90 s 303 acid culture, what makes this collection stand out is its freeness. it could be argued that the structure and arrangements fall more in line with jazz than traditional techno. mike manages to avoid the constraints of techno production and delivers natural yet unpredictable arrangements. themes and moods change throughout taking you on a journey through berlin via detroit.

an ace double-header. bad-minded, noisy, runaway jack from mazzarino, italy, percussive, gritty, stripped stompers from mike brenda davis.

tip! vinyl only business from mr g out on bristol based just jack with a killer seven davis jr remix! this is late night rawness designed for the dance floor.

the 7 inch vinyl single has a contemporary style vocal track from lovers rock legend peter spence, who has teamed up with producer phillip gadd for a 2014 revisit and adaptation of this timeless classic, which was originally recorded by ken boothe in 1970 for ja artist/producer keith hudson. the b side features a horns led instrumental version. limited edition of 300 numbered copies.

wir sind hocherfreut zu hören, dass ninja tune den aus la operierenden künstler seven davis jr gesigned hat! nach fantastischen vÖs auf classic, must have records oder ten thousand yen erscheint anfang februar seine erste single *wild hearts* auf dem englischen traditionslabel. sein rougher mix aus (dirty) chicago house, r&b, detroit und p-funk wird 2015 für aufsehen sorgen! sein langerwartetes debütalbum ist ebenfalls für dieses jahr geplant. watch out!

slamming remix pack for alex davis track dont stop lovin which got received heavy support by marco carola during the whole 2014 ibiza summer season.

seven davis jr back on the scene with this killer live bonus 12 inch of p.a.r.t.y., easily one of the hottest sides to land this year. pressing on purple vinyl.

brazilian label not for us has really hit its stride of late, with original from davis and remixes by l_cio and label bosses, rods novaes and wender a., marking them out as ones to watch in 2014. their latest release arrives courtesy of a 3-track original and remix compilation, with one of the label s most emphatic moments to date, davis s love and lost , proving the basis for three very different - but equally beguiling - interpretations, with a great bassline and vocal bring more 2 remixes from l_cio with na atmospheric vibe and a more techno and dub from wender & rods, enjoy this very special release!

repress alert. the second release on kutmahs izwid imprint is a rare collection of bugged out electronic soul from the los angeles-based vocalist, producer and poet, seven davis jr. the lost tapes vol. 1 spans 12 years of experimental, cosmic out-of-body-and-mind music, of mostly four and eight track recordings once lost in storage via a lengthly hiatus due to drug addiction and depression

in the lead up to his debut solo album the ten thousand yen label boss returns home with four essential cuts, with two vocal features from la s seven davis jr. the ep is led by what s it gonna be? which is already picking up early love in the clubs and on radio by the likes of annie mac & skream. from the disco-charged drive of together to house/acid/techno morph ghost text to the r&b lean of i promise , the from mine to mistress ep is a diverse collection of tunes that really show off daneeka s varied production style.

during these days where lo-fi analogue house productions seems to be the it thing, its time to dig out a release by one of the true pioneers of house music. not an outsider but one of the names thats been around forever and thats known for several timeless house classics.

following komon & appleblims pensive motion blur on will sauls aus imprint is a collaborative effort from the label boss himself under his close moniker and al tourettes latest incarnation second story featuring vocals from kid a.

classic is incredibly pleased to announce that a certain man of the moment has joined the classic family. *one* was brought to the attention of classic when it featured on vinyl only release late last year. ears pricked up and more information was sought. who was this man from nowhere - producing music that was modern yet soulful, funky - and best of all coupled with his own vocal talents. luke solomon then championed not only *one*, but the general excitement surrounding something that ticked all of his boxes. reminiscent of the old classic sound that reminded him of iz and diz, losoul and the like… seven was approached and not only offered classic *one* to re-release, but two brand new cuts featured exclusively here. an ep aptly entitled *friends* is the freshest thing that has been around for some time - and classic are proud to welcome seven into their ever expanding family.

after a knock-out disc for jay simons must have records, seven davis jnr steps into the apron fold with four foot-stomping party cuts.

with *believe in love* yousef returns home to circus recordings with 3 cuts that have been turning heads all summer long. the title track features the legendary vocal of roy davis jr who once again, asks the world a poignant question. a rolling, infectious and gnarly groove develops and unfolds into a long and harmonic breakdown before a blistering crescendo. designed for the heads but with still enough action for the people that follow yousefs more musically trickier offerings.
just a beat is exactly that. yousef busts out a stripped back boogie bass over tight drums and oddball acid. no messing around, heads down, hands up. what is revolution is completely reworked by circus label mates acid mondays. remixing one of the stand out cuts from yousefs recent *a product of your environment* artist album, the mondays show how to bring authentic house music into the 21st century.

mile end records is pleased to present their latest release, slide, which is a collaboration between two undisputed legends of house music: roy davis jr. and robert owens

what might happen if one would tuck the moulin rouge in a london warehouse, banned the glitter, burned down the tinsel and raised the volume the debut album of hamburg based clark davis is exactly showing that, seducing by every trick in the book with irresistible, easy going grooves and nasty beats

vinyl only! chunky beats and rolling bass will give the party something to remember. groovy and trippy release by clark davis. incl. huge yokoo remix.

amazing deep grooving 3 tracker. the first construct label release and the first release from swayzak & richard davis new project. this is a 50/50 co-production from swayzak and richard davis. remixes by the mole & hreno.

after ryan davis album particles of bliss in june 2012 on traum it was clear to everyone that he was one oft he most versatile artists on the label. there was no electronic playground he did not enter. his phanstastic and illusionary music makes him such a special artist for traum.

the revival ep is a 4-track house ep done by chicagos own roy davis jr. and smooth agent label boss sean smith. along with the title track you get evaluation (instrumental), bumpin enjoyment, and get on board. smooth and stylish house grooves.

fresh new open air track by davis & dembowski. after the big success of 9 am they are back with their next massive release including remixes by patrick bateman (tic tac toe), nico pusch (damm rec.) and wolfgang lohr (ton liebt klang).

big new vogelfrei vinylrelease by clark davis with massive remixes by ken hayakawa (musik gewinnt freunde) and gabriel la mar (praxxiz). played and supported by: hanne & lore, simina grigoriu, bebetta, oliver schories, alec troniq, datamatrix

a miles davis classic from 1960, remastered and pressed on high quality 180 gram virgin vinyl.

betsy just stood there with her mouth wide open. those two guys where fencing each other up and down the stairway. they took 20 steps, back to back, then they turned around, smoothly from the hip, firing magazines at each other. then 10 steps and then 5, both where still standing. they beat each other to a pulp until the blood came out and then until no blood came out and still none of them hit the ground. betsy did not dare to move, even when the duelists finally went away in opposite directions she still stood there like a curtain rod. she cautiously moved her eyes to the left, cautiously meved her eyes to the right, everything seemed to be safe. then there was this flicker of light in betsys sunglasses. they came back.

luv n haight presents lost soul, a comprehensive collection of material recorded by geater davis for the house of orange label. the name of the album is an accurate description of the life and career of the legendary blues and soul singer who passed away at age 38 while on the verge of breaking through.

a real dj weapon. big ups!

connect four returns with another tempting slice of wax from hamburg s clark davis with his postman ep that also includes a remix from alphahouse records boss, butane

nice second release on the ton liebt klang sublabel called vogelfrei. this is really a festival- and clubbomb by the labelhead dembowski and clark davis (turnbeutel, subotnik). remixes are made by oliver schories (turnbeutel, ostwind), rich vom dorf (ton liebt klang, acker, rennbahn) and klangkuenstler (kallias, zuckerton, ostfunk).
early support by richie hawtin, hanne & lore, beatamines, bebetta, andy kohlmann, compact grey, arts & leni, miyagi, illboyphil, carlo rütz and many more.

after a little delay the first installment in the saft series is finally here!

richards davis joins the two.birds family with his first vinyl release >self destruct<. the 2 track ep includes a massive remix from lithunians producingteam mario & vidis and comes as white vinyl 10 inch, including cooking receipe.

after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

“kind of blue” is probably the best-selling jazz record of all time. we precede the familiar stereo version with the legendary “kind of blue” mono mix - legendary because columbia records claimed that the tapes had been discarded long ago. the avaxhome audiophile website approved of the new perspective mono offers on a time-honoured classic, saying: “if you’re only used to hearing it in stereo, this will be a different experience. it sounds kind of “forward”, particularly the saxes. overall it has a nice timbre, especially in the midrange.”
vinyl 1: mono version (cl 1355)
vinyl 2: stereo version (cs 8163)

early big support by hanne & lore, aka aka, gabriel le mar, claude von stroke, d. diggler, raycoux jr., playane, tobsen graale, alex rath, rob slac, summer and many more!
first release of this upcoming deep and tech house label. after some succesful vinyl releases on oliver schories label turnbeutel and subotnik, clark davis release his >tulpenbluete< with a big remix by andre kronert (e.g. ostwind) on vogelfrei.
on the other side chris noise shows his talent with his track >shadow from the sun<. his friend ingo boss from cocoon remixes this nice track.

all tracks written and produced by carl craig

first copies will be limited tiefschwarz (deep black) coloured vinyl. part 2 contains two hot remixes from tiefschwarz (souvenir, get physical, watergate records) – pure genius!

first copies will be limited coloured vinyl! noirs follow-up single to around is a collaboration with berlin-based deetron!

slamming 3 track vinyl sampler , taken from the collaboration cd (oliver lieb & jimmy van m as the audible suspects)

*** first available via decks.de ***
a new year, a new record. der turnbeutel brings its third vinyl into the recordstores. on the a-side you will find our old acquaintance datastix, who again show their lucky hands in finding the right track in these dark times of the year with their >penumbra<. it is accompanied by a remix from nadja lind (klartraum/lucidflow) – a remix that fills espacially the guys of datastix with a lot of pride. on the b-side clark davis turns his rounds with his >tretroller< (engl. scooter), a track which will drive the atomsphere on any dancefloor. the disk gets completed by a tretroller remix from andre kronert (night drive music), that comes so massive that even big boys can ride it smoothly.

the classic music company by luke solomon & derrick carter continue to play the game under their own conditions. as a label it never died it just retreated for a while in order to come back stronger. all hail the king because the king is back. long live classic!

the a12 motorway was wrapped in complete darkness. the lights of the windmills were blinking in the rhythm of the rotor blades passing by. they appeared just before sunrise. no one had ever seen this kind of creature ever before: red flashing, and bright shining alien butterflies attracted by the windmills. people stopped, and got out of their cars to watch this spectacle. the flying creatures were constantly creating new, kaleidoscope-like formations, and slowly, and very softly at first, they started singing. and although nobody really understood their behaviour, everybody understood their wistful and hopeful song.

play records presents an ode to the anthemic house track from 1989 by joe smooth called promised land. billy newton-davis reinterprets joe smooths original unifying call for all humans to get together as brothers and sisters. billys amazing new vocal refresh is voltrond with 4 equally fantastic remix productions by a star studded cast. david jones – chunky disco tech festival stormer, check. manuel de la mare – big room arena progressive heat seeker, check. calvertron – massive electro and dubstep cranium splitters, check. crazibiza – house shakers sipping coladas, check. melleefresh – deep house backroom lets get naked mix, check